Narrative perspective in “A Castaway” and “Jenny” elicit a kind of sympathy and pathos through monologues in which the characters ultimately, resignedly give. Human Tigresses, Fractious An- gels, and Nursery Saints: Augusta. Webster’s A Castaway and Vic- torian Discourses on Prostitution and Women’s Sexuality. Because Augusta Webster’s poetry involves explicit cultural critique, For instance, Webster’s dramatic monologue “A Castaway,” written in the voice of a kept.
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Back to Victorian Prostitution. How could I henceforth be content in any life but one that sets the brain in a hot merry fever with its stir? Her collection of dramatic monologues entitled Portraits foregrounds its own textual situation and the process of interpretation in its organization and material design.
What is revealed by her relationship with her neighbor? I am that thing called half a dozen dainty names, and none dainty enough to serve the turn and hide the one coarse English worst that lurks beneath: What seems her relationship with nature?
I am that thing called half a dozen dainty names, and none dainty enough to serve the turn and hide the one coarse English worst that lurks beneath: We had rare fun over that tract digested with champagne.
Analysis of “A Castaway” by Augusta Webster and “Jenny” by D. G. Rossetti – Essay Sample
I am less to him than such a one; her rags do him no wrong, but I, I, wrong him merely that I live, being his sister. She has published on nineteenth-century women writers, the history of poetry anthologies, and the Victorian sonnet.
No, why waste struggles, I or any one? And yet, who knows? No, why waste struggles, I or any one? Old — caxtaway to be nothing, or to be at best a blurred memorial that in better days there was a woman once with such a name.
Webster thus stages a process of reflective inquiry in this poem, as Eulalie analyzes language and tries out different explanatory narratives for her augusha. I could have laughed aloud: By comparing herself to these members of society, she is rationalizing her situation, convincing herself that, as a prostitute, she is not alone in terms of corruption.
We ought to die off reasonably and leave as many as the men want, none to waste. Why, if the worthy men who think all’s done if we’ll but come where we can hear them preach, could bring us all, or any half of us, into their fold, teach all us wandering sheep, or only half of us, to stand in rows and baa them hymns and moral songs, good lack, what would they do with us?
What does the speaker grieve? Read together as a collection, these poems suggest that discovering and then following a particular life path is a process of discerning, accepting, or choosing among different possibilities. How was “the castaway” treated by her brother?
Sonnet What kind of love is described in this sonnet? Thus, she ponders the path that carried aughsta from innocence to dissolution and corruption.
A Castaway | British Literature Wiki
She worries because she does not feel the passion she thinks she ought:. Why, ’tis my all, let me make much of it: This romantic ideal is subsequently revealed as a series of paradoxes learned from books: By bracketing her volume with the historical poems, Webster implicitly suggests that the lives of ordinary modern individuals are as full of drama and interest as those in legend or literature.
There, let it burn. His devotion to study put him out of step with the modern age in which the soldier fits so comfortably:. Whose blame is that? What information does Eulalie give about her past?
And what is that? Both poems inevitably consign the castawaay to an objectified status that precludes the possibility that they, and others, might see them as individuals.
Only castawqy week more and ‘twould have ended: I have outfaced my own — that’s harder work. In classical or Victorian terms, the tragic figure of Medea cannot possibly be happy. Would she have advocated any concrete social reforms?
Sonnet Literally what is the speaker finding to appreciate in the flowers brought to her by her daughter?
Both the frame narrative and the section following the rule begin with the ornamental capital letters that begin each poem in the book, signaling that these sections are to be read as two separate texts.
What does the poem’s ending reveal about the speaker’s view of her present life?
I would that I could love him to his worth, with that forgetting all myself websher him, that subtle pain of exquisite excess, that momentary infinite sharp joy, I know by books but cannot teach my heart [.
Does this poem seem to center on character revelation or social criticism? And I loathe death, the dreadful foul corruption, with who knows what future after it. And yet, who knows?